Dido and It's a jewel of Baroque opera: Purcell's "Dido and Aeneas" is here revisited by the Peeping Tom company. This exciting choreographic version, filmed at the Grand Théâtre de Genève, breathes new life into the ancient tale. Emmanuelle Haïm, conductor of the Concert d'Astrée, brings a sense of history and sensitivity to the work. Tragic opera in three acts by Henry Purcell (1659 - 1695) Libretto by Nahum Tate after Virgil's "Aeneid" Le Concert d'Astrée, Emmanuelle Haïm (Conductor) Franck Chartier (Stage Direction, Choreography) Peeping Tom Eurudike De Beul, Leo De Beul, Marie Gyselbrecht, Hunmok Jung, Brandon Lagaert, Chen-Wei Lee, Yichun Liu, Romeu Runa Justine Bougerol (Sets), Anne-Catherine Kunz (Costumes), Giacomo Gorini (Lightings) Marie-Claude Chappuis (Dido | Sorceress) Emőke Baráth (Belinda | First Witch) Marie Lys (Second Woman | Second Witch) Jarrett Ott (Æneas | Sailor) Recorded at the Grand Théâtre, Geneva, 2 May 2021

Wagner's Jews Richard Wagner was notoriously anti-Semitic, and his writings on Jews were later embraced by Hitler and the Nazis. But for years, many of Wagner's closest associates were Jews - young musicians who became personally devoted to him, and provided crucial help to his work and career. Why were they drawn to him? And how could Wagner even accept their embrace? These questions are at the heart of 'Wagner's Jews', the first film to focus on Wagner's complex personal relationships with Jews. Filmed on location in Germany, Switzerland, and Italy, 'Wagner's Jews' reveals this remarkable story through archival sources, re-enactments, interviews, and performances of original musical works by Wagner's Jewish colleagues. Featuring Zubin Mehta and Leon Botstein among others, the film also explores the ongoing controversy over performing Wagner's music in Israel. The same questions asked in Wagner's time still resonate today: is it possible to separate the art from its creator? Can sublime music transcend prejudice and bigotry, and the weight of history? Directed by Hilan Warshaw 2013

La Bella Otero Choreography: Rubén Olmo Ballet Nacional de España Rubén Olmo, director Patricia Guerrero, guest artist Maribel Gallardo, special collaboration Flamenco musicians from the BNE Music: Manuel Busto, Alejandro Cruz, Agustín Diassera, Rarefolk, Diego Losada, Víctor Márquez, Enrique Bermúdez and Pau Vallet Musical recording: Barenboim-Said Foundation, musical direction by Manuel Busto Dramaturgy: Gregor Acuña-Pohl Set design: Eduardo Moreno Costume design: Yaiza Pinillos Lighting: Juan Gomez Cornejo Imagery: Manuel Martín Nieto Festival de Granada, June 23, 2023

Fre3 Women Susana Santos Silva (trumpet) Morgane Carnet (saxophone) Blanche Lafuente (drums) Recorded on March 11, 2020 at the festival Banlieues Bleues RV Director, Guillaume Dero,

César Franck (1822 - 1890) Hulda Opera in four acts and an epilogue Libretto by Charles Grandmougin after a play by Bjørnstjerne Bjørnson First performance in Monte-Carlo, Opéra, 4 March 1894 Concert version Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor) Chœur de Chambre de Namur Jennifer Holloway (Hulda), Véronique Gens (Gudrun), Marie Karall (la Mère de Hulda), Judith van Wanroij (Swanhilde), Marie Gautrot (Halgerde), Ludivine Gombert (Thordis), Edgaras Montvidas (Eiolf), Boris Pinkhasovich (Gudleik), Matthieu Lécroart (Aslak), Artavazd Sargsyan (Eyrick), François Rougier (Gunnard), Sébastien Droy (Eynar), Guilhem Worms (Thrond), Matthieu Toulouse (Arne | Un Héraut) Liège, salle Philharmonique, 15 May 2022 Directed by Frédéric Caillierez