Fre3 Women Susana Santos Silva (trumpet) Morgane Carnet (saxophone) Blanche Lafuente (drums) Recorded on March 11, 2020 at the festival Banlieues Bleues RV Director, Guillaume Dero,

César Franck (1822 - 1890) Hulda Opera in four acts and an epilogue Libretto by Charles Grandmougin after a play by Bjørnstjerne Bjørnson First performance in Monte-Carlo, Opéra, 4 March 1894 Concert version Orchestre Philharmonique Royal de Liège, Gergely Madaras (Conductor) Chœur de Chambre de Namur Jennifer Holloway (Hulda), Véronique Gens (Gudrun), Marie Karall (la Mère de Hulda), Judith van Wanroij (Swanhilde), Marie Gautrot (Halgerde), Ludivine Gombert (Thordis), Edgaras Montvidas (Eiolf), Boris Pinkhasovich (Gudleik), Matthieu Lécroart (Aslak), Artavazd Sargsyan (Eyrick), François Rougier (Gunnard), Sébastien Droy (Eynar), Guilhem Worms (Thrond), Matthieu Toulouse (Arne | Un Héraut) Liège, salle Philharmonique, 15 May 2022 Directed by Frédéric Caillierez

Segovia at Los Olivos Directed by Christopher Nupen In fact, in Western classical music, the achievement of Andrés Segovia is unique. As a boy in Granada, he was captivated by the variety of tone colours and the wealth of harmonic possibilities of the Spanish guitar and he saw a future for it that nobody had previously even dreamed of. On those seemingly slender beginnings he set out on a remarkable quest. Using the work done by Fernando Sor and Francisco Tarrega in the nineteenth century and adding the compositions of Johann Sebastian Bach, he began to build not only a career for himself, but to lay the foundations of modern guitar technique and the present-day international popularity of the Spanish guitar as a serious musical instrument. Within twenty years, Andrés Segovia had taught himself the instrument, revolutionised the technique and won acceptance for it on the concert platforms of Europe. He spent the next fifty years giving concerts in almost every part of the world and was at various times a resident of the United States, Switzerland and Argentina. At the age of 75, he returned to his native Andalusia with his young wife, Emilita, and built a new home, Los Olivos, on the Costa del Sol as close as he could to Granada. This film is made in the relaxed atmosphere of his new home and in Jaen and Granada where he spent his formative years. The idea is very simple: to give a great man an opportunity of looking back on sixty years of concert life and one of the most unusual contributions to Western music made by any performing musician in the last hundred years. Segovia talks in his inimitable poetic way about what he has tried to do, and plays some of the music most closely associated with him and his extraordinary career.

Judith Jáuregui (piano), Quatuor Gerhard Antonín Dvořák (1841-1904) Piano Quintet no. 2 in A major op. 81 Enrique Granados (1867-1916) Piano Quintet in G minor op. 49 Lille Piano Festival, 12 June 2022

Fuenteovejuna Faustino Núnez (music) Companía Antonio Gades Cristina Carnero (Laurencia) Ángel Gil (Frondoso) Joaquín Mulero (Comendador) Alberto Ferrero (Mayor) Antonio Gades (direction and choreography) José Manuel, Caballero Bonald, Antonio Gades (script) Pedro Moreno (costumes) Stella Arauzo (artistic director) Teatro Real, Madrid, 2011

Jokers Vincent Peirani : accordion, accordina Federico Casagrande : guitar Ziv Ravitz : drums After many collaborations in duo (with Émile Parisien, Michel Portal, Michael Wollny, François Salque) or within his quintet, Living Being, Vincent Peirani wanted to embark on another form of orchestration, that of the trio. With the Italian guitarist Federico Casagrande, who has been living in Paris for many years, and Ziv Ravitz, an Israeli drummer who lives in New York, he forms a hybrid trio, guitar, drums, accordion, in which each musician can take the place of another, to become, by turns, a soloist, a rhythmist, a colourist, and so on. This cosmopolitan formula explores all kinds of music: enigmatic, oneiric, electronic, explosive, colourful, even silent. Everything is permitted and left to the free will of each of the three protagonists. Like the Joker - not so much the fictional super-villain of American comic books as the playing card found in most card decks (the Joker can replace any other card and also be the highest trump) - all three of them have an equal and at the same time complementary role, and they are sometimes in opposition, unpredictable... Contradiction then adds to the trio's soundscape, enriching it even further and affirming its originality. Recorded on January 05, 2021 at the Comptoir Général, Paris TV Director, Nathan Benesty

Thomas de Pourquery & Supersonic Thomas De Pourquery, saxophone alto Laurent Bardainne, saxophone ténor Fabrice Martinez, trompette Arnaud Roulin, piano, claviers Frederick Galiay, basse Edward Perraud, batterie Playlist Thomas De Pourquery; Mermaids Sun Ra, We travel the space ways Thomas De Pourquery, Slow down, Present eternity, Sons of love, Simple forces, Give the money back, Révolutions, Disco 2100 Sun Ra, Love in outer space Recorded on June 15, 2019 at the Cité de la musique TV Director, Josselin Carré

Scottish Chamber Orchestra, Lionel Bringuier (conductor) Alexander Kantorow (piano) Gabriel Fauré (1845 - 1924) Masques et Bergamasques op.112 Guillaume Connesson (born in 1970) L'Espérance de l'aube - World premiere, commissioned by the Fondation Louis Vuitton Francis Poulenc (1899 - 1963) Sinfonietta Paris, Louis Vuitton Foundation, June 22, 2023