Maria João Pires (piano) Franz Schubert (1797 - 1828) Impromptu no 3, D.935, Op.142 Claude Debussy (1862 - 1918) Arabesque no 1 Franz Schubert Piano Sonata in A major D. 664 Claude Debussy Suite bergamasque Recorded 8 March 2021, Fondation Singer-Polignac, Paris Directed by Guillaume Klein

Berliner Philharmoniker, Herbert von Karajan (conductor) Deutsche Oper Berlin Chorus Anna Tomowa-Sintow (soprano), Agnes Baltsa (mezzo-soprano), René Kollo (tenor), José van Dam (bass) Ludwig van Beethoven 1770 - 1827 Symphony No. 9 in D minor op. 125 Directed by Humphrey Burton Berlin, Philharmonie, 31 December 1977

Faust Opera in five acts by Charles Gounod (1818-1893) Libretto by Jules Barbier and Michel Carré, based upon the play "Faust et Marguerite" (1850) by Michel Carré and "Faust" (1808) by Johann Wolfgang Goethe Fist performance in Paris, Théâtre Lyrique, 19 March 1859 Orchestra e Coro del Teatro La Fenice, Frédéric Chaslin (Conductor) Claudio Marino Moretti (Chorus Master) Joan Anton Rechi (Stage Direction, sets, costumes) Alberto Rodriguez Vega (lighting) Ivan Ayon Rivas (Doctor Faust) Alex Esposito (Méphistophélès) Carmela Remigio (Marguerite) Armando Noguera (Valentin) William Corrò (Wagner) Paola Gardina (Siébel) Julie Mellor (Marthe Schwertlein) Venice, Teatro La Fenice, 1 July 2021 Directed by Stéphane Vérité

Jokers Vincent Peirani : accordion, accordina Federico Casagrande : guitar Ziv Ravitz : drums After many collaborations in duo (with Émile Parisien, Michel Portal, Michael Wollny, François Salque) or within his quintet, Living Being, Vincent Peirani wanted to embark on another form of orchestration, that of the trio. With the Italian guitarist Federico Casagrande, who has been living in Paris for many years, and Ziv Ravitz, an Israeli drummer who lives in New York, he forms a hybrid trio, guitar, drums, accordion, in which each musician can take the place of another, to become, by turns, a soloist, a rhythmist, a colourist, and so on. This cosmopolitan formula explores all kinds of music: enigmatic, oneiric, electronic, explosive, colourful, even silent. Everything is permitted and left to the free will of each of the three protagonists. Like the Joker - not so much the fictional super-villain of American comic books as the playing card found in most card decks (the Joker can replace any other card and also be the highest trump) - all three of them have an equal and at the same time complementary role, and they are sometimes in opposition, unpredictable... Contradiction then adds to the trio's soundscape, enriching it even further and affirming its originality. Recorded on January 05, 2021 at the Comptoir Général, Paris TV Director, Nathan Benesty

Yom & The Wonder Rabbis Yom (clarinet, composition) Léo Jassef (keaboard) Guillaume Magne (guitar) Sylvain Daniel (bass) Mathieu Penot (drums) Recorded on July 11, 2019 at Jazz à Vienne TV Director, Mikaël Favard

Thomas de Pourquery & Supersonic Thomas De Pourquery, saxophone alto Laurent Bardainne, saxophone ténor Fabrice Martinez, trompette Arnaud Roulin, piano, claviers Frederick Galiay, basse Edward Perraud, batterie Playlist Thomas De Pourquery; Mermaids Sun Ra, We travel the space ways Thomas De Pourquery, Slow down, Present eternity, Sons of love, Simple forces, Give the money back, Révolutions, Disco 2100 Sun Ra, Love in outer space Recorded on June 15, 2019 at the Cité de la musique TV Director, Josselin Carré

Don Carlos Opéra in five acts by Giuseppe Verdi (1813 - 1883) Libretto by Joseph Méry and Camille Du Locle after Friedrich von Schiller's "Don Carlos, Infant von Spanien" First performance in Paris, Opéra, 11 March 1867 Orchestre et Chœurs de l'Opéra Royal de Wallonie-Liège, Paolo Arrivabeni (Conductor) Pierre Iodice (Chorus master) Stefano Mazzonis di Pralafera (Stage Director) Gary Mc Cann (sets) Fernand Ruiz (costumes), Franco Marri (lighting) Gregory Kunde (Don Carlos) Ildebrando D'Arcangelo (Philippe II) Yolanda Auyanet (Elisabeth de Valois) Kate Aldrich (La Princesse Eboli) Lionel Lhote (Marquis de Posa) Roberto Scandiuzzi (Grand Inquisiteur) Patrick Bolleire (Un Moine) Caroline De Mahieu (Thibault) Maxime Melnik (Le Comte de Lerme) Louise Foor (Une voix céleste) Recorded at the Opéra Royal de Wallonie-Liège, 17 & 19 April 2020

Musical interludes: a chance to see some of the world's most renowned conductors and musicians performing beautiful pieces.

Orchestre philharmonique de Strasbourg, Chœur de l'Opéra national du Rhin, John Nelson (Conductor) Alessandro Zuppardo (Chorus Master), Jorge Matta (Gulbenkian Chorus Master) Joyce DiDonato (mezzo-soprano), Cyrille Dubois (tenor), Christopher Maltman (bass) Hector Berlioz (1803-1869) Roméo et Juliette Strasbourg, Palais de la Musique et des Congrès, 8 June 2022

Musical interludes: a chance to see some of the world's most renowned conductors and musicians performing beautiful pieces.

Segovia at Los Olivos Directed by Christopher Nupen In fact, in Western classical music, the achievement of Andrés Segovia is unique. As a boy in Granada, he was captivated by the variety of tone colours and the wealth of harmonic possibilities of the Spanish guitar and he saw a future for it that nobody had previously even dreamed of. On those seemingly slender beginnings he set out on a remarkable quest. Using the work done by Fernando Sor and Francisco Tarrega in the nineteenth century and adding the compositions of Johann Sebastian Bach, he began to build not only a career for himself, but to lay the foundations of modern guitar technique and the present-day international popularity of the Spanish guitar as a serious musical instrument. Within twenty years, Andrés Segovia had taught himself the instrument, revolutionised the technique and won acceptance for it on the concert platforms of Europe. He spent the next fifty years giving concerts in almost every part of the world and was at various times a resident of the United States, Switzerland and Argentina. At the age of 75, he returned to his native Andalusia with his young wife, Emilita, and built a new home, Los Olivos, on the Costa del Sol as close as he could to Granada. This film is made in the relaxed atmosphere of his new home and in Jaen and Granada where he spent his formative years. The idea is very simple: to give a great man an opportunity of looking back on sixty years of concert life and one of the most unusual contributions to Western music made by any performing musician in the last hundred years. Segovia talks in his inimitable poetic way about what he has tried to do, and plays some of the music most closely associated with him and his extraordinary career.

Pablo Sáinz-Villegas (classical guitar) A Tribute to Andrés Segovia Enrique Granados (1867-1916) Spanish Dance No. 5 "Andaluza", Op. 37 Spanish Dance no. 10 "Danza melancólica", Op. 37 Joaquín Rodrigo (1901-1999) Invocation and Dance Francisco Tárrega (1852-1909) Adelita Isaac Albéniz (1860-1909) Torre Bermeja, of Twelve Characteristic Pieces, Op. 92 Asturias (Legend), from Spanish Suite, Op. 47 Enrique Granados (1867-1916) Danza española nº 5 'Andaluza, op. 37 Danza española nº 10 'Danza melancólica', op.37 Joaquín Rodrigo (1901-1999) Invocación y Danza Francisco Tárrega (1852-1909) Adelita Isaac Albéniz (1860-1909) Torre Bermeja, de Doce piezas características, op. 92 Asturias (Leyenda), de Suite española, op. 47 Francisco Tárrega (1852-1909) Gran Jota de Concierto Granada, The Patio de los Arrayanes, 5 July 2021 TV director, Arnaud Lalanne

Judith Jáuregui (piano), Quatuor Gerhard Antonín Dvořák (1841-1904) Piano Quintet no. 2 in A major op. 81 Enrique Granados (1867-1916) Piano Quintet in G minor op. 49 Lille Piano Festival, 12 June 2022

Itzhak Perlman (violin) Philharmonia Orchestra, Lawrence Foster (Conductor) Johannes Brahms (1833 - 1897) Violin Concerto in D, Op. 77 London, 1978 Directed by Christopher Nupen

Clowns Directed, choreographed and composed by Hofesh Shechter Performed by Hofesh Shechter Company Chien-Ming Chang, Frédéric Despierre, Rachel Fallon, Mickaël Frappat, Yeji Kim Kim Kohlmann, Erion Kruja, Merel Lammers, Attila Ronai, Diogo Sousa (dancers) Christina Cunningham (costume design) London, Rivoli Ballroom, 2018 Directed by Sebastian Cort

Choreography : Alain Platel Dramaturgy : Hildegard De Vuyst Musical Dramaturgy : Jan Vandenhouwe Les ballets C de la B Choir and Orchestra of the Teatro Real de Madrid Andrés Máspero (Choir Conductor) Marc Piollet (Conductor) Music by Giuseppe Verdi and Richard Wagner Directed for TV by Andreas Morell Teatro Real de Madrid (Madrid, Spain), 2012

Berlin Philharmonic Orchestra, Claudio Abbado (direction) Maurizio Pollini (piano), Karita Mattila (soprano), Lioba Braun (soprano), Peter Seiffert (tenor) Swedish Radio Choir, Eric Ericson Chamber Choir Ludwig van Beethoven Choral Fantasy Op. 80 Felix Mendelssohn-Bartholdy Symphony No. 2 Op. 52 Directed for video by Michael Beyer (1h30) Recorded at the Berlin Philharmonie in 2002

Don Giovanni "Dramma Giocoso" in two acts by Wolfgang Amadeus Mozart (1756 - 1791) Libretto by Lorenzo Da Ponte First performance in Prague, 29 October 1787 Staatskapelle Berlin, Thomas Guggeis (Musical Director) Staatsopernchor, Martin Wright (Chorus Master) Vincent Huguet (Director) Aurélie Maestre (Sets), Clémence Pernoud (Costumes), Irene Selka (Lights), Robert Pflanz (Video), Louis Geisler (Dramaturgy) Michael Volle (Don Giovanni) Slávka Zámečníková (Donna Anna) Bogdan Volkov (Don Ottavio) Peter Rose (Il Commendatore) Elsa Dreisig (Donna Elvira) Riccardo Fassi (Leporello) David Oštrek (Masetto) Serena Sáenz (Zerlina) Berlin, Staatsoper, 17 April 2022

Michel Portal (clarinet) Bojan Z (piano) Nils Wogram (trombone) Bruno Chevillon (bass) Lander Gyselinck (drums) Recorded at Salle Poiret, Festival Nancy Jazz Pulsations, Nancy, the 6th october 2021 Directed by par Samuel Petit Michel Portal is a clarinettist and saxophonist with a dazzling technique, a tireless explorer of sounds, always on the lookout for new musical adventures. He is as comfortable with Brahms as he is with Bernard Lubat or as a composer of film music. After a ten-year absence, he makes a masterly return to the recording studio on his 85th birthday and leads a high-flying quintet that includes French bassist Bruno Chevillon, German trombonist Nils Wogram, young Belgian drummer Lander Gyselinck and pianist Bojan Z.

Astor Piazzolla (bandoneon) Arnaldo Ciato (piano) Giuseppe Prestipino Giarrita (bass) Tullio De Piscopo (drums) Hugo Heredia (flute) Nando De Luca (organ) Aldo Pagani (marimba) Felice Dacco (guitare) Recorded in 1974 Tv director, Sandro Briner

Michel Portal in concert Michel Portal (saxophone, bass clarinet) Nils Wogram (trombone) Bojan Z (piano) Bruno Chevillon (Double Bass) Lander Gyselinck (drums) Setlist Full Half Moon (Bojan Z) Split the Difference (Nils Wogram) Mr Pharmacie (Michel Portal) In town (Michel Portal) Armenie (Michel Portal) African Wind (Michel Portal) To celebrate his 85th birthday, saxophonist and clarinettist Michel Portal stays true to the guiding principle of his bold and eclectic musical career: a keen taste for new music, with no regard for borders. Recorded on September 6, 2020, Grande Halle, Jazz à la Villette TV Director, Célidja Pornon